“A lot of architects design a lot of details,” Taniguchi was saying. “I try to conceal details.” His brand of modernism doesn’t always express its structure; instead, his buildings tend to have a lightness of being, defying the steel, glass, concrete and stone it took to make them. Their exquisite craftsmanship is legendary, and Japanese contractors are proud to oblige him…
Later, ordering drinks before dinner, Taniguchi talked about how different building methods are in America. But he never really answered the question of why such a famous architect at home had taken so long to design outside Japan. “You are psychoanalyzing me,” he said with a slight smile.
Then his cocktail arrived. It was a Manhattan.
— Excerpt from “Red Hot MoMA: New York’s great modern museum is reborn, thanks to $425 million and an unlikely architect named Taniguchi,” by Cathleen McGuigan, Newsweek